Monday, October 18
Emma Enderby Named Chief Curator of Haus der KunstThe Haus der Kunst in Munich has appointed Emma Enderby as its chief curator. Enderby is currently a curator at the Shed, an arts space in New York where she has staged exhibitions devoted to Ian Cheng, Agnes Denes, and others. She will remain curator-at-large there, and is set to continuing working on a Tomás Saraceno show for the Shed before beginning at the Haus der Kunst in November. “Emma’s broad interdisciplinary expertise combined with her deep commitment to visionary artistic practices will be a fundamental contribution to the new paths of Haus der Kunst,” Andrea Lissoni, the institution’s artistic director, said in a statement.
Hawai‘i Contemporary Announces Details for Hawai‘i TriennialHawai‘i Contemporary has announced the artist and venue list for the inaugural Hawai‘i Triennial, which will take place February 18 through May 8 across seven exhibition venues spanning the Hawaiian Island of O‘ahu, including the Bishop Museum, the Foster Botanical Garden, the Hawai‘i State Art Museum, the Honolulu Museum of Art, and the Royal Hawaiian Center. Entitled “Pacific Century – E Ho‘omau no Moananuiākea,” it will feature 43 International and native Hawaiian artists including Ai Weiwei, Theaster Gates, and Herman Pi‘ikea Clark. Each artist and collective will present new commissions exploring themes of post-colonization and climate change within a local context.
Getty Museum Acquires Rare Bassano PaintingThe Getty Museum in Los Angeles has acquired the monumental 16th-century painting The Miracle of the Quails (1554) by Venetian artist Jacopo Bassano. Measuring around seven feet tall, it is one of the largest works executed by the artist and has never before been displayed publicly. The painting depicts the biblical episode of Moses and the Israelites averting starvation in the desert after a flock of quails falls from the sky. In a statement, Getty director Timothy Potts said the work will be installed in early November as the centerpiece of the museum’s 16th-century northern Italian paintings gallery, alongside works by Titian, Veronese, Savoldo, Lotto, and Dosso Dossi.
Post-Conquest Aztec Altar Found in Mexico on 500th Anniversary of Spain’s Invasion
When Hernan Cortes invaded Mexico in 1521, it heralded the end of an era for the Aztec people. But that empire was not finished all at once, and according to the BBC, a new archaeological find shows that some Aztecs managed to continue living after the Spanish arrived. Earlier this week, Mexican officials announced that…
When Hernan Cortes invaded Mexico in 1521, it heralded the end of an era for the Aztec people. But that empire was not finished all at once, and according to the BBC, a new archaeological find shows that some Aztecs managed to continue living after the Spanish arrived.
Earlier this week, Mexican officials announced that they found an altar formed by a family that survived the initial Spanish invasion. The altar was discovered quite deep underground. Archaeologist Mara Becerra told the BBC that she believes the altar was purposefully buried to hide it from the Spanish. Becerra also believes that the family who made this altar were Mexica, the Indigenous people who ruled the Aztec empire.
Archaeologists spent three months studying an old Indigenous house, particularly the courtyard where the ritual offerings were made. There, the archaeologists found 13 incense burners, five bowls, a cup, a plate and a pot with cremated skeletal remains.
A statement by Mexico’s culture ministry said that the altar was made “to bear witness to the ending of a cycle of their lives and of their civilization.” The announcement of these findings comes on the 500th anniversary of Spain’s invasion.
Mexico is a treasure trove of potential archaeological sites that have not yet been excavated. Even Teotihuacán, one of the most famous Mexican archaeological sites, is only 5 percent excavated. Late this past October, 500 potential archaeological sites were discovered in Mexico using Light Detection and Ranging technology.
However, in recent years there have been exciting discoveries all around the country. In 2020, a newly discovered Aztec tower of skulls, found in Mexico city, drew substantial media attention. But, due to the pandemic, progress made in the archaeological field in Mexico has faced some setbacks.
Simone Leigh, Who Departed Hauser & Wirth After Less Than Two Years, Joins Matthew Marks Gallery
Simone Leigh, who departed the mega-gallery Hauser & Wirth last October after just 21 months, has joined Matthew Marks gallery. The artist, who is preparing to represent the United States at the 2022 Venice Biennale, joins a roster that includes Alex Da Corte, Martin Puryear, and Jasper Johns. She made her debut with Matthew Marks…
Simone Leigh, who departed the mega-gallery Hauser & Wirth last October after just 21 months, has joined Matthew Marks gallery. The artist, who is preparing to represent the United States at the 2022 Venice Biennale, joins a roster that includes Alex Da Corte, Martin Puryear, and Jasper Johns. She made her debut with Matthew Marks at Art Basel Miami Beach, which opened this week.
The sought-after sculptor’s departure from Hauser & Wirth spurred speculation over whether she had found new representation. Leigh joined the gallery, which has 15 locations worldwide, in 2020 after leaving New York’s Luhring Augustine and Los Angeles’s David Kordansky Gallery, the latter of which had represented her for half a year.
In mid-October, Hauser & Wirth had prominently featured Leigh’s sculptures in Frieze London. A major exhibition at the gallery’s location in Zurich, her first presentation in Switzerland, was ongoing amid the split. The details surrounding her departure have remained under wraps, and both parties issued gracious statements at the time.
“I love and respect the people I worked with at Hauser and Wirth,” Leigh said. “But I do not feel the gallery is the right fit for me in the wider sense. I’m still figuring out what I want from a primary gallery relationship.” The decision came amid a career-high for the New York-based artist, who will be the first Black woman to represent the U.S. in Venice.
In 2017 she was awarded the Studio Museum in Harlem’s $50,000 Joyce Alexander Wein Artist Prize, and the following year she won the Hugo Boss Prize, which comes with $100,000 and a solo exhibition at New York’s Guggenheim Museum. Her work was chosen by the prize’s jury for its “longstanding and unwavering commitment to addressing black women as both the subject of and audience for her work, a focus which imagines a recalibration of the outmoded power structures that shape contemporary society.”
Leigh was included in the critically acclaimed 2021 survey “Grief and Grievance: Art and Mourning in America” at the New Museum in New York; she was also featured in the Prospect New Orleans triennial. Her work is currently on view in the group show “Black American Portraits” at the Los Angeles County Museum of Art.
Met Museum Receives Landmark $125 M. from Longtime Trustee Oscar Tang
New York’s Metropolitan Museum of Art has announced its largest capital gift in its 151-year history: $125 million pledged by the museum’s long-time trustee Oscar Tang and his wife, Agnes Hsu-Tang. The funds will go towards a renovation project centered around the museum’s presentation of modern and contemporary art, to include 80,000 square-feet of galleries…
New York’s Metropolitan Museum of Art has announced its largest capital gift in its 151-year history: $125 million pledged by the museum’s long-time trustee Oscar Tang and his wife, Agnes Hsu-Tang. The funds will go towards a renovation project centered around the museum’s presentation of modern and contemporary art, to include 80,000 square-feet of galleries and public space to be named the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing.
The long-postponed “re-envisioning” of the Met’s modern and contemporary galleries, first proposed more than a decade ago, has been delayed due to a lack of funding. The project is currently estimated to cost a total of $500 million.
Oscar Tang, the octogenarian retired financier, founded the investment management firm Reich & Tang. Having served on the Met’s board for three decades, it is not the first transformative gift he’s bestowed on the New York institution. In 1997, he gave $14 million to fund the Met’s purchase of rare Chinese paintings, and in 2015 gave $15 million to establish new curatorial positions and to support programming for the centennial of the museum’s department of Asian art.
Tang is the son of Tang Ping-yuan, a Chinese textile mogul who founded a successful manufacturing company in Hong Kong in the post-Communist era. In the Met’s press release, he attributed his philanthropic activities in part to having been displaced by conflict in his home region and being subsequently educated in the U.S. Tang’s previous philanthropic gifts also include money given to the New York Philharmonic, Yale University, and the Gordon Parks Foundation. Agnes Hsu-Tang, an archaeologist and researcher at Columbia University, has served as a cultural heritage advisor at UNESCO and for the Obama administration.
“Their generosity—while breathtaking in its scope and vision—is no surprise, as it is an extension of their decades-long support of our Museum,” Daniel H. Weiss, the Met’s president and CEO, said in a statement. Max Hollein, the museum’s director, added, “The reimagining of these galleries will allow the Museum to approach 20th- and 21st-century art from a global, encyclopedic, bold, and surprising perspective—all values that reflect the legacy of Oscar and Agnes.”
The couple, whom the Met called “activist collectors” in its press release, described the museum as “an exemplary guardian and presenter of artistic heritages across cultures and time.” They alluded to their longtime support of transcultural and anti-racism initiatives as a driving factor in backing the Modern wing project, saying, “Contemporary art transcends entrenched notions of borders and identities.”